Review of “Fantastic Four” — Just See the Damn Movie. It’s Fantastic.

I’m kicking off this review with an informal letter to director Josh Trank: Come on, man. Don’t go cannibalizing your product by turning around and calling it shit just after everyone else started to. Besides, attacking the studio won’t help save your career. Just own what you made, because it was amazing.

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Here’s the truth of the matter: Fantastic Four takes a long time to get going. It’s only got a single action scene. Very few relationship tropes are achieved over the course of the movie. And for all those reasons, it’s probably the best origin story I’ve seen in ages.

Why do people hate it? Let’s go down the list. For each item, I’ll give a rebuttal of why I think it made the movie great.

1.) “The characters don’t develop.”

Some people are whining that Miles Teller and Kate Mara don’t bang by the end of this movie. Seriously, though? These kids have some brief moments of “will they or won’t they” in the beginning, much like any teens might have when they’re testing the waters. But priorities shift when they crack inter-dimensional travel, acquire super mutations, etc. Those are the sort of events that might stop a campy teen romance from developing, people. Biological anomalies and pressure from the government to be turned into a human weapon, as well as the impending threat of Doom, might impede on a shitty romance subplot. It’s a realistic sacrifice; get over your addiction to cliches.

2.) “Not enough action.”

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There’s no argument that there’s little action. A single fight at the end is all that the movie builds up to. But there are two things worth mentioning here: the final fight is a worthy conclusion to an extremely solid, slow-burn origin story and secondly, rumor has it there were meant to be more fights. Now, I’m not going to regard that last point because it doesn’t matter what was meant to be rather than what’s actually IN the final product, but understand that the rumor mill claims Trank wanted three fights and Fox chopped the third act in some weird ways. Regardless, I honestly loved the single fight aspect. It made the event feel far grander than it actually was, when for the first time in the whole movie, the heroes had an obstacle as great as them to overcome. If they’d managed to fight three different fights by the end of this movie, it wouldn’t really have been an origin on them getting their collective shit together, now would it? A single fight to unite them once and for all, though, was awesome. It capped off a slow sci-fi flick with some comic book elements about five young adults going through some insane shit together.

3.) “The main cast is bad.”

While I will admit I was a little let down by Miles Teller who occasionally gave off the impression that he was just in it for the paycheck, the other five main members of the cast were great. Kate Mara, Michael B. Jordan, Jamie Bell, Toby Kebbell and Reg E. Cathey all brought their A-game, and blended well together. And sure, they might not have been written as the overly common in-sync super team we were expecting, but that’s because they were written as individuals with flaws that needed overcoming. They were written as REAL PEOPLE, and most audience members can’t accept that, it seems.

4.) “Doom sucked.”

Shut up, right now. Doom was honestly the best comic book movie antagonist I’ve ever seen, tying with the Joker (TDK) and Zod (MoS). Some might call that statement blasphemy, but hear me out: *SPOILER ALERT* he does what no Marvel antagonist has had the balls to do thus far, which is actually try to achieve his goals. Douchey government guy standing in his way? Doom just stares at him and BLOWS UP HIS HEAD. Innocent nurse blocking his path? Head blown up. Red was painting the walls by the time Doom started his killing spree, with little chunks bursting and shit. It was gruesome, and for the first time in comic book movie history, I was actually slightly frightened (the primary goal of a comic book villain!!!). The Joker wasn’t scary because we knew Batman would win, with the same caveat applying for Zod, though the latter did tear shit up before the inevitable save-the-day sequence. Doom, though, managed to suspend my disbelief to the point where I genuinely thought he had a chance at winning and ending the movie on a sour cliffhanger. I’ll be surprised if I ever feel that kind of suspense again. Not to mention his origin of being a computer nerd who plays Assassin’s Creed Unity wasn’t unbelievable, far from it. It was a classic tale of a kid with great potential squandering his life away behind a screen. An overall excellent modern adaptation of Doom.

5.) “The movie is too slow.”

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Boo-hoo! I’m sorry this couldn’t be Spider-Man reboot #36 for you, where within the first thirty minutes he’s knocking out subway goons, zapping the Green Goblin’s mouth shut, etc. This movie tried to be Interstellar with a comic book conclusion, which meant that cheap action would have to be exchanged for a slow-burn sci-fi build. And, in my opinion, the gambit paid off. I cared more at the end simply because I hadn’t seen the heroes tested up to that point. It was methodically slow, in the best of ways.

Those are my retorts as a contrarian. I honestly liked this movie just a hair more than Ant-Man, to give you a frame of reference as to how I really feel (and I absolutely loved Ant-Man) about Fantastic Four. The soundtrack is phenomenal, the CGI is effective (and looks slightly more real based solely on how little of it crops up until the finale), the characters are believable and great, and everything is just awesome. Yes, if you want a run-of-the-mill action-churning, light-hearted origin story Fantastic Four will let you down. But if you want something unique, a movie that tried to be more than just a regular shitty comic book flick, give F4 a try. Just like Ant-Man was more heist than it was comic book, this is more sci-fi than superhero. And against all the critics, I for one will say it was a fantastic ride.

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2 Responses

  1. Reblogged this on Bobbi's Blog.

  2. […] it just as much as I did in my initial review. I was worried that maybe my original perceptions of the film had been tainted by a desire to be […]

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